Sound shaped by listening and place

My musical foundation is built on organic instrumentation and sustained listening. Early on, I was drawn to how a single sound settles into a room and how its decay carries memory, so I kept returning to instruments and recordings that let that behaviour show. From there my practice widened into independent recording, commissioned soundscapes and interdisciplinary work. Each commission asked a different question of the same material, and I learned to treat every setting as part of the composition.

I approach composition as an ongoing dialogue between physical acoustic space and subtle processing. Processing is never a costume for the sound; it is a way of listening more closely to what the room and the instrument already contain. Here’s a little about me, alongside the work I’ve been making. The pieces are the clearest account of how I think, so the biography is best read as context for the music rather than a replacement for it.